Green mentions a compositional procedure for choice of tape, tape speed and direction and panning, which yields a combination of sounds disturbingly mismatched to eerie perfection, much in the way of a prolonged chance collision…the ordinary is repurposed into a hallucinatory melange of sounds beyond conventional comprehension. It taps into a powerful strand of late 20th Century experimental music, going back to Cage’s collages from the 1950s, that’s occasionally forgotten only to be taken up again a generation later… – Boring Like A Drill