Club Sound Witches #freakinmeout – out now on Shame File Music

#freakinmeout consists of Club Sound Witches’ (Matthew Earle & Nicola Morton) transcendent live performance at Melbourne’s Make It Up Club in July 2019, plus a longer studio track (in two parts). The beats are slightly off, you wonder if that bleep is a mistake or genius, vocals waft Circe-like out of subterranean caves backed by water dripping from stalactites. Soundtracks for uncertain times.
Comes in a 4-panel digipak with Matt Earle’s iconic inkblot-esque photocopy art, limited edition of 100 copies. Order CD by 15 April 2020 to get the special price of $12.

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Radio On “Sounds of Objects” EP out now on Shame File Music

Radio On “Sounds of Objects” digital/CDR – Radio On is a group of Melbourne students with intellectual disabilities and additional learning needs who make an album of songs each year with their teacher, Ben Butcher (of Paul Kidney Experience, Baseball, etc). For 2019, they also assembled this EP of sonic explorations, using microphones, solar panels and iPads to create sound works of found sounds and drones.

Stream/download for free, or order the CDR from Shame File Music.

Two new additions to the Rik Rue Cassette Archive

 

The mid-1980s was a highly productive time for Rik Rue. Along with releasing often more than one cassette a year, he was also meeting a diverse range of new artists to collaborate with. One of the strangest of these collaborators, he says, was Fifi L’Amour.

L’Amour was a pioneer of often-surreal cabaret performance in late-1970s Sydney, co-founding Cabaret Conspiracy. She moved to Europe in 1985 where she continued to perform. She died in 2012.

Obituary –
www.smh.com.au/national/on-stage-dynamo-challenged-bemused-audiences-20120817-24e2x.html

 

‘Jointly conceived by Fifi L’Amour and Rik Rue’.
Originally released on cassette by Pedestrian Tapes in 1984.
Remastered by Shane Fahey, 2019.
Shame File Music 2019
*Also available on CDR from Shame File Music.

A unique collaboration between two giants of Australian improvised and experimental music. Both artists expressed their willingness for “Come Let Us Build Ourselves A City” to be made available again, identifying it as a recording each still have a lot of affection for. Buck brings his array of drums and percussion, along with drum machines, and Rue mangles it all through analogue and digital filters, mashed with his collection of samples, a sonic portrait of a devastated and divided city reborn.
Originally released on mini-CD, on Berlin label Algen in 1996.
Reissued here with permission of the artists.
Rik Rue: digital and analog tape manipulations, shuffle play mixes for digital players (1 & 3).
Tony Buck: drums, percussion, drum machine.
Recorded, edited, mixed by Rik Rue (1996).
Mastered by Rainer Robben.
Track 2 engineered by Shane Fahey
Thanks to Jim Denley, Conrad, Andrea and Marlowe.

Access the full Rik Rue Cassette Archive at Shame File Music.